Friday, November 30, 2012

The Western

The Searchers
Released in 1956.
Directed by John Ford.
Staring: John Wayne, Jeffrey Hunter, Vera Miles, and Ward Bond.
Based on ‘The Searchers’ written by Alan Le May.
Screenplay written by Alan Le May
Distributed by Warner Bros.
Budget: 3.75 million
Box Office: 9.8 million
Butch Cassidy and the Sundance Kid
Released in 1969
Directed by George Roy Hill
Staring: Paul Newman, Robert Redford, and Katherine Ross
Written by William Goldman
Distributed by 20th Century Fox
Budget: $6,825,000
Box Office: ~$102,308,889


Both movies, "The Searchers" and "Butch Cassidy and The Sundance Kid," are in the western genre.  however, both movies are very different.  John Ford and John Wayne have worked together for several movies, they all have a common landscaped theme.  Very open, in the dessert is what they are associated with.  The Searchers was made during a time of racism.  This is shown in the movie.  Butch Cassidy and The Sundance Kid have more of a buddy system feel to the movie.  In this film, the buddy system helps to release some of the tension of the situation.  The movies are also filmed differently. The Searchers has a lot of wide shots to see the landscape, but in Butch Cassidy and The Sundance Kid they have more close-ups, and more jump cuts and cuts on action to make the movie have more action.
Chapter six of our text-"Looking At Movies"- talks about cinematography, which is how to capture the images on film.  Using light, writing and motion, the director can shape the film to which they see fit.  different types of lighting can be used to set the tone of a scene.  The use of different lens when shooting a production can also help shape the movie.  In The Searchers a zoom lens helps to see the amount of space that the characters are in. You can feel the openness of the space and the distance the characters must travel, which also helps set the timeline.  Camera angle helps to illuminate characters. In Butch Cassidy and The Sundance Kid they use low angle view showing their superiority as robbers.
A theory that can be used for both movies can relate to representation.  In both movies, the characters represent a certain meaning.  Though Butch Cassidy and the Sundance Kid are the bad guys, they represent a simplistic lifestyle without conforming to the approaching new frontier. 
Bosley Crowther of the New York Times says: "It starts with the tardy homecoming of a lean Texan from the Civil War and leaps right into a massacre by Commanches and the abduction of two white girls."  This is the perfect western.  John Wayne is the face for western genre. 
"...apparently it was a misguided attempt to copy 'Bonnie and Clyde.' But the ending doesn't belong on 'Butch Cassidy,' and we don't believe it, and we walk out of the theater wondering what happened to that great movie we were seeing until an hour ago,"(Ebert).  I can't fully agree with Roger Ebert's dislike of the film, but I will agree that the ending just didn't seem to fit with the movie.
I enjoyed both movies, John Wayne will always hold the role in western films, but I liked the quicker pace of Butch Cassidu and the Sundance kid.

Crowther, Bosley. "The Searchers." Rev. of Film. The New York Times 31 May 1956: n. pag. Print.

 
Ebert, Roger. "Butch Cassidy and the Sundance Kid :: Rogerebert.com :: Reviews." Chicago Sun Times (1969): n. pag. RSS. Web. 21 Dec. 2012.

 IMDb. IMDb.com, n.d. Web. 20 Dec. 2012.

CHECKLIST FOR PLAGIARISM

1) (√) I have not handed in this assignment for any other class.

2) (√) If I reused any information from other papers I have written for other classes, I clearly explain that in the paper.

3) (√) If I used any passages word for word, I put quotations around those words, or used indentation and citation within the text.

4) (√) I have not padded the bibliography. I have used all sources cited in the bibliography in the text of the paper.

5) (√) I have cited in the bibliography only the pages I personally read.

6) (√) I have used direct quotations only in cases where it could not be stated in another way. I cited the source within the paper and in the bibliography.

7) (√ ) I did not so over-use direct quotations that the paper lacks interpretation or originality.

8) (√) I checked yes on steps 1-7 and therefore have been fully transparent about the research and ideas used in my paper.


Name Charlotte Azaceta Date November 29, 2012


Editing Checklist

1. (√) An introductory paragraph clearly introduces the subject. The topic statement is evident within the paragraph. The position taken is clear. If the position is unclear, put a question mark in the margin.

2. (√) The next two paragraphs have a single or main claim. Note each claim in the margin in a 3-4 word phrase. If you can’t identify the claim, put a question mark in the margin. If two or more claims exist, and tend to diverge from a coherent thought, put a question mark in the margin.

3. (√) The same thing holds for the next two paragraphs on the opposite side of the issue.

4. (√) The four paragraphs above all focus on the issue at hand; they do not wander off into irrelevant territory. If any paragraph wanders, put a question mark in the margin

5. (√) The sixth paragraph weighs the conflicting claims from the four paragraphs above and arrives at a conclusion. Why some evidence is more convincing than other evidence is explained. The ensuing conclusion is clearly stated. Circle it. If you can’t find the conclusion, put a question mark in the margin.

6. (√) The final paragraph returns to what was stated in the first paragraph and, in light of the evidence presented and weighed above, convincingly rephrases the position statement. If the conclusion expected by the assignment is to be finessed, justifying statements for the variance must appear here and flow-from the explanation in the sixth paragraph of your paper.

7. (√) Is each claim in paragraphs 2-5 supported by evidence? Are there any naked claims supported only by variations of "I believe...”? If so, put a big X in the margin beside that paragraph.

8. (√) Is each claim backed up by a reference? If a claim stands naked of supporting evidence or argument, put a big X in the margin.

9. (√) Does the paper do more than simply but gloriously restate the question? Examine the case study and cross out all ideas that appear in both the case study and in your paper. What remains-uncrossed out is your analysis. It should constitute the majority of your paper. If it doesn't, you haven’t done an analysis.

10. ( ) A sentence lacks either a subject or a verb; a sentence does not begin with a capital letter or end with a period (citations in parentheses go ahead of periods, not behind them).

I l. ( ) A sentence begins with a relative pronoun such as Which, Who, That, Where, and When.

12. ( ) A pronoun lacks a clear antecedent; that is, a word such as it, he, she, or they does not have an obvious link to a noun (especially noticeable if a sentence begins with it, he, she, or they).

13. ( ) A pronoun or verb fails to agree with its antecedent in number; that is, a single person or agency is referred to as they, or a plural subject is given a singular verb (such as, "members of the school board....gives their vote...").

14. ( ) A sentence runs-on or uses a comma to splice independent ideas together; that is, complex ideas are not split into two sentences but are linked, often by a comma, into an overly long, wandering sentence. 


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